adobe media encoder cc deinterlace filter

This is a numerical input with scrubbable hot-text. Obtain this number by reading the technical specifications for your monitor.

Luminance Max - This is the maximum capable luminance of the HDR monitor used while grading your content.

Luminance Min - This is the minimum capable luminance of the HDR monitor used while grading your content.

The possible values are: Rec.709, P3D65 (default), Rec. It has a drop-down list with three options. Obtain this value by reading the technical specifications for your monitor. Color Primaries - This is the color gamut of the HDR monitor used while grading your content.To do so, create a preset with source-matching enabled for all properties except Frame Rate, which is set to 24 fps. You want to convert all the assets in the Watch Folder to a single format at 24 fps. You can save the Match Source setting as a new preset and apply them to any source in the Queue or Watch Folder panels.įor example, say, you have a Watch Folder containing assets with varying frame sizes and frame rates. Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes. Match Source - Medium bit rate: for Standard-Definition (SD) video sources.This preset is the default Match Source preset for both H.264 and MPEG-2 exporters. Match Source - High bit rate: for High-Definition (HD) video sources.Selecting a Match Source preset automatically activates the appropriate options in the Video settings tab in the Export Settings dialog.Īdobe Media Encoder provides the following two Match Source presets for both H.264 and MPEG-2 exporters: What differentiates this utility from other media encoders is the possibility to directly export jobs from its symbiotic apps listed above, without stopping what you're doing, for example in After Effects or Premiere Pro.When exporting video files in H.264 or MPEG-2 format, Adobe Media Encoder lets you automatically match the video settings of the source file using Match Source presets. Overall, Adobe Media Encoder looks like a basic application for outputting a certain file to different formats. The jobs' status can be monitored from within the encoding panel. The format list is rich and complex, so finding the right output for your files shouldn't be an issue.Īfter you're done setting things up, look for the green start button atop the queue panel. Check the presets tab to choose a new format for your source. Once a source is selected, it will appear in the queue panel. Use the media browsers to select the file sources. The encoding process is no rocket science. Depending on the task at hand, working with these four panels alone should be enough for getting the job done. To bring every important part of the app forward, the layout was split into four neat segments - media browser, queue panel, encoding panel, and preset browser. With Adobe Media Encoder, the user won't have to dig through countless menus in order to get the job done unless that job requires that amount of work.

In essence, an encoder should be as easy to use as possible, as nobody likes to spend too much time and effort simply changing an item's format. Hating or loving an application is usually determined by the interface design. What all these apps have in common is the ability to create or manage video and audio files, so the media Encoder fits right in.

Furthermore, it can serve as a companion for other related applications such as Adobe After Effects, Premiere Pro, Audition, Character Animator, and Prelude.

Adobe Media Encoder is a standalone application handy for encoding audio and video in multiple formats.

Adobe media encoder cc deinterlace filter